Inter-American Children's Institute
Director General: Alejandro Bonasso
Av. 8 de Octubre 2904, Casilla de Correo 16212, Montevideo (11600)
Tel. (5982) 487 21 50, Fax: (5982) 487 32 42
Email: iin@redfacil.com.uy , Web Site: www.iin.oas.org


Español

“I WANT TO PLAY”

1.      Introduction 

With the financial support of the Government of Chile, the Inter-American Children’s Institute produced a video on the Right to Play, entitled “I Want to Play.” This video is part of a series intended to promote and publicize the children’s rights enshrined by the Convention. 

Ing. Julio Rosenblatt, Coordinator of the IIN’s Inter-American Child and Family Information Program, was responsible for the original idea of the video. 

“I Want to Play” is an animated video, 1.15 minutes in duration, in Spanish (lyrics) and English (subtitles), with music performed by Leonardo Croatto and a children’s choir. Walter Tournier directed production of the video.  

2.      Content 

a.    Some initial considerations 

Children must be children. Hence, the right to play and leisure is enshrined in article 31.1 of the Convention on the Rights of the Child: every child has the right “to rest and leisure, to engage in play and recreational activities appropriate to the age of the child and to participate freely in cultural life and the arts.” 

Emphasizing child’s play as a right means that the expression of communication and knowledge necessary for a person’s integral development is valued, and the spaces and times for rest and leisure are redefined according to this right.[1]  

The spaces where children interact (school, neighborhood, etc.) must be adapted to their needs, and must include in their design the concept of free-time activities and recreation as part of an urban plan that integrates green spaces and spaces for play and leisure. The Convention on the Rights of the Child encourages States Parties to respect and promote children’s right to participate fully in cultural and artistic life and to provide appropriate opportunities for children to participate in cultural, artistic and recreational life and leisure in conditions of equality.[2] 

b.                 Child’s play according to prominent thinkers[3] 

Below are some ideas on child’s play: its scope, its origins, descriptions from different points of view and its essential characteristics, as written by historically prominent thinkers. 

J. Huizinga:

Play is a voluntary action or activity carried out within certain fixed time and space limits, according to a freely consented but absolutely imperious rule, with a purpose in itself, accompanied by a feeling of tension and jubilation, and the awareness of being in a mode that is other than that of real life.  

J. Chateau:

Children over three do not play because of an invincible tendency. They know why they play; therefore, it is in the motivations that we should look for the driving principle behind child’s play. 

D. W. Winnicott:

Play has a time and place… It is not “inside” (…) it is not “outside” either. (...) Playing is doing (...) We should always remember that play is in itself a form of therapy. (...) With play, and perhaps only with play, children and adults are free to create. 

Florencio Escardó:

Play begins by being, for babies, a very powerful and vital activity that directs the training of motor skills, posture, senses and communication with the outside world. Little by little, it acquires powerful qualities and centers the period of magical thinking or symbolization. Finally, it is the school of organized activity and acceptance of rules, commitments and sanctions.... 

Freud:

We could say that each child, when playing, behaves as a poet, as he creates his own world, or rather, reorders the things in his world in a new way which is pleasing to him.

(...) The psycho-dynamic peculiarities of play include the following: a) it is based on the pleasure principle; b) it transforms the passive into active, thanks to which the child dominates his traumatic experiences; c) it satisfies the compulsion for repetition through the learning that is achieved by play and the pleasure derived from repetition itself. 

Jean Piaget:

Play is a product of assimilation which is dissociated from accommodation before being reintegrated in the forms of permanent equilibrium, which will make of it their complement in operational or rational thinking. Thus, play constitutes the extreme pole of assimilation of the real into the ego, and participates on par, as an assimilator, of this creative imagination that will continue to be the driving force for all later thinking and even reasoning. 

3.      Target Audience 

“I Want To Play” is aimed at all the children and adolescents in the region, seeking to generate a communication strategy that highlights the importance of children’s right to play and leisure. 

We seek to show children that this is a right they should exercise, so that they understand the importance of having spaces in which to play. As part of the strategy for reaching out to the Target Audience, we have used communicational and visual language that is familiar and engaging while also being didactic. 

4.      Broadcasting

We live in an increasingly media-oriented society in which the media (chiefly radio and television) reach everyone, even the most marginalized sectors of the population. The rational use of those tools is a good way to promote the rights of children and adolescents in the region.

In order to reach its target audience, it is suggested that the video “I Want to Play” be broadcast at times when children and adolescents are likely to be watching television.

5.      Dissemination 

·        The Video "I Want to Play" will be shown by open-access and cable television channels in the different countries of the region.   

·        The video can be used by public and private schools in the different countries as an education tool conceptualizing the rights of the child.  

·        Workshops will be organized for people involved in child-related issues to discuss the topic addressed by the video.

6.      Lyrics: "I Want to Play" 

I can go up
I can come down
I can carry
I can take
I can come and go as I please
        

I can produce 
I can take things apart  

I can build
I can load
I can hammer
I can trim
        

I can create

I can create ...        

And I want to grow up playing        

When I’m playing, I learn
When I’m playing, I invent
Using what I have
        

I create while I play!        

When I’m playing, I feel
When I’m playing, I want
        

Play!                          

I love to have a good time playing        

Happily!        

When I’m playing, I want
When I’m playing, I can
When I’m playing, I grow
When I’m playing, I learn
        

I’m playing, here I go…        

I want to play!        

With my friends
I dream when I’m playing
When I’m playing, I feel
When I’m playing, I want
        

Playing!          

Happily playing! 

7.      Information on the Inter-American Children's Institute    

The Inter-American Children’s Institute (IIN) is a specialized organization of the OAS founded in 1927 in Montevideo, Uruguay. 

At its 75th Meeting, held in Ottawa, the IIN’s Directing Council approved the Strategic Plan 2000-2004, which proposes to promote promotion of tools for the dissemination of the Convention on the Rights of the Child by means of communications strategies. 

To implement this, for the last two years the IIN has been promoting the development of short videos. of approximately one minute in duration, on issues related to the Convention on the Rights of the Child. These videos are being shown on open-access and cable television channels all over Latin America. 

The work of the Inter-American Children’s Institute revolves around three important programs: 

 

a.     Program for the Integral Promotion of the Rights of the Child 

The Program for the Integral Promotion of Children’s Rights (PRODER), based on the development of a Prototype of Targeted Public Child Policies, is engaged in promoting actions and intervention projects to address the problems and needs of children and adolescents in situations of vulnerability, risk and social exclusion. 

PRODER has developed its Prototype of Targeted Public Policies to address the problems mentioned in the Convention on the Rights of the Child, specifically Article 23 (Disability), Article 32 (Child Labor), Article 33 (Drug Abuse) and Article 34 (Sexual Exploitation). 

b.      Inter-American Child and Family Information Program (PIINFA) 

PIINFA’s main objective is the production and promotion of information systems aimed at persons and institutions working in the field of child and adolescent affairs, in order to create pools of comprehensive information that will help achieve change in the living conditions of children and adolescents in the Americas.  


PIINFA’s projects provide focused services to deal with the primary needs of institutions, decision-makers and planners working with children and families. The Program has also developed flexible tools for processing information, which generate data on the system itself, thus facilitating continuous evaluation, adaptations and change. All the projects are tailored to the specific needs of each country, avoiding the rigidity of solutions which would seek to provide a generic answer to wide-ranging, diverse realities.

PIINFA’s activities are centered on: 

-     The Inter-American Child Information Network (RIIN)

-     The Information System for the Monitoring of Rights   

-     The updating, professionalization and computerization of the civil registries of the region, to ensure that, among other rights, the right to identity is upheld and respected.  

c.      Legal Program

The Legal Program (PROJUR) provides OAS Member States with services such as training, information, monitoring, research and specialized technical assistance to reinforce and support national child protection systems in the hemisphere.  

It also seeks to provide governing bodies on child affairs with key legal information, facilitate research, train persons responsible for institutional development and enforcement of rights, and provide technical assistance in the still-unfinished task of harmonizing national legislations with the principles of international law in the field.    

8.      Production: “I Want To Play”

Credits

General Coordination         Julio Rosenblatt
Direction                            
Walter Tournier
Animation                           
Pablo Turcatti

                                            Juan Andrés Fontán 

Puppets                              
Carlos Solís

                                            Juan Andrés Fontán
                                            Lala Severi
 
Structures                           
Martín Da Rossa
 
Models
                                 Javier Tournier
 
Music and Sound                
Leonardo Croatto 
 
Singers                               
Leonardo Croatto

                                            Children’s choir          

Editing                                
Guillermo Casanova
 
Lighting                              
Diego Velazco

                       
                    Santiago Epstein 

WALTER TOURNIER – Director 

Uruguay (1944)
Educated in Uruguay and Peru
Animator, Director of Animation
 
 

FILMS:

1974            “EN LA SELVA HAY MUCHO POR HACER.” Animation, 35mm, 17 min. Uruguay.
1980
            “EL CÓNDOR Y EL ZORRO.” Animation, 35mm, 10 min. Peru.
1981
            “EL CLAVEL DESOBEDIENTE.” Marionettes and animation, 35mm, 10 min.Peru.
1983
            EN EL PAPEL UN SUEÑO.” Documentary, 16mm, 11 min. Peru.
1986
            “LOS CUENTOS DE DON VERÍDICO.” Marionettes and animation, video, 4 chapters,
                    7 min. each. Uruguay.
1988           
“OCTAVIO PODESTÁ.” Documentary, video, 21 min. Uruguay.
1990
            “LOS ESCONDITES DEL SOL.” Animation, 35mm, 40 min. Uruguay.
1992
            “LA RAMBLA MONTEVIDEANA.” Documentary, video, 30 min. Uruguay.
1992/99       
Animated commercials for several clients.
1997
             “LOS TATITOS.” Animation, videos, 7 one hour and thirty minutes chapters. Uruguay.
1998
             Director and marionette designer for the movie “EL SIGLO DEL VIENTO,”  directed
                    by Fernando Birri.
1999
             “EL JEFE Y EL CARPINTERO.” Animation 13 min. A chapter or the series:                         “Cuentos Animados del Mundo.”
2000
             “Yo Quiero” (“I Wish”).Public Service Announcement – Animation on the Rights of the Child.
2000
             “NAVIDAD CARIBEÑA  – Special half-hour animation in co-production with S4C of
                     Wales and the Children's International Television Foundation. 

AWARDS: 

1978          Bilbao International Festival (Spain)
1979
          Jean Vigo Prize (France)
1980
          Peruvian Bishops’ Prize (Peru)
1981
          CETUC Prizes (Peru)
1983
          Prizes of the Association of Filmmakers of Peru
1980/84
    Two Prizes at the International Latin American Film Festival (Havana, Cuba)
1990
          SODRE Prize (Uruguay)
1990
         Latin American Video Prize (Rosario, Argentina)
1990
         Latin American Video Prize (Asunción, Paraguay)
1992
         Prizes at the International Children’s Film Festival (Uruguay)
1992
         Prize at the Latin American Film Festival (Caracas, Venezuela)   
1992
         Prize at the International Children’s Film Festival (Chicago, USA)
1992
         Short Film Prize (Oberhaussen, Germany)
1998
         UNESCO Prize, International Children's Film Festival (Uruguay)
1999
         Campana de Oro, a campaña mayor un minuto” (Uruguay)
2000
         Golden Prize for Advertising Film Production (FIAP – Argentina)
2000
         Best Short Film, Best Latin American Film, UNESCO Prize and Children's  
               
Jury Prize for "EL Jefe y el Carpintero,” at DIVERCINE, International Film  
               
Festival for Children and Youth (Uruguay)

LEONARDO IVÁN CROATTO

Composer, Performer, Sound Engineer. 

Born in Montevideo in 1959. Completed his studies in music in Argentina and Italy, at the University of Bologna in the Music Department of the Faculty of Philosophy and Arts, receiving the degree of "Doctor of Arts, Music and Entertainment” in 1987. 

He has been teaching at the University School of Music since 1989 and at the School of Communications, where he teaches "Music and Sound in Film and Television" since 1997. He was a collaborator for the magazine "Musica/Realtà" in Milan, Italy between 1984 and 1987, and a music critic for the weekly publications "Alternativa" and "Brecha" in Montevideo between 1988 and 1992.

Staged music for theatrical plays: "Varela, el reformador," "Los Grillos,” "La secreta obscenidad de cada día,” "Veinte años no es nada,” "Ah Machos,” “Raúl aprende a bordar,” "Peer Gynt" (music nominated for the Florencio Award 1991), "Rompiendo Códigos" ( Florencio Award 1994), "Paquete de mentiras.”

Music for audiovisual productions: ”Bañados, el secreto de las aguas,” ”Pantanal,” "India muerta,” “La quimera de la costa” (documentaries by Hilary Sandison, prod.); "Imágenes,” 1990-1996; "Color de Tristecías" and "Dudosa Pasión” (short films by Pablo Rodriguez, Producciones del tomate, 1990-1991).; "Amigo invisible,” from the series of short films of animation "Madre Tierra”; "Imágenes,” 1991; "Tierra Olvidada,” "Arrinconados,” “El camino de la madera,” “Gente en obra” (documentaries by Mario Jacob); "Imágenes,” 1991-1992; “Héctor” (in co-authorship with Rubén Olivera, Directed by José Pedro Charlo, 2000). 

Other compositions: "Mina" and "L'immaginario erotico nell'arte,” background music for a fine arts exhibition in Bologna, Italy 1986-1987. Electro-acoustic works: "Digital number one for violin and tambourine" and "Digital number two for bandoneón shows,” Premiere at Núcleo Música Nueva, 1995-1996. "Entrelíneas,” for Marimba (1998), premiered in Buenos Aires by percussionist Ángel Frette. 

Active in the popular music scene, performing as a guitarist and singer with different groupings in various cities of Europe, United States and Latin America from 1980 to 1987. Recorded two records, in Puerto Rico (1984) and in Italy (1985), published in Italy (1984 and 1985) and Peru (1987). Musical and instrumental arrangements for Uruguayan recordings (Eduardo Darnauchans, Esteban Klisich, Mauricio Ubal, Washington Carrasco and Cristina Fernández, Antimurga BCG, Javier Cabrera and Julio Brum, Jorge Bonaldi, Laura Canoura, and Rubén Olivera). 

In 1992 Leonardo Croatto and Carlos da Silveira founded a company "Mambo/Sonus" to provide postproduction audio services for films and videos, as well as musical productions for advertisements. Since 1992 they have worked with large advertising agencies and firms in this medium.  

Other musical productions by Mambo/Sonus include: "Distracción Fatal,” fiction directed by Mayda Moubayed; “El jefe y el carpintero,” from the Series ANIMATED TALES OF THE WORLD, directed by Walter Tournier, co-production of RAL (Latin American Network) with S4C-Wales, England, and Discovery Kids, USA, 2000; “Yo Quiero”
(“I Wish”), Rights of the Child campaign, animation, directed by W. Tournier and produced by RAL with the support of the Inter-American Children's Institute, 2000; “Porto Alegre – Una experiencia de autogestión,” documentary directed by Hilary Sandison, Uruguay-England co-production, 2001; series of micro-programs in animation: “Los Tatitos,” Artear-Color 9 co-production, Montevideo-Buenos Aires, 2001.



[1] Lorente, M., Pavía, V., Quniteros, N., Verbic, F.: "The right to play." Post-graduate practical final-year project, Comahue National University. August 2002.

[2] Article 31.2 of the Convention on the Rights of the Child.

[3] Cañeque H.: “Play and Life: recreational behavior in children and adults.” Page 3. “El Ateneo” publishing house, March 1991.