Inter-American Children's Institute
Director General: Alejandro Bonasso
Av. 8 de Octubre 2904, Casilla de Correo 16212, Montevideo (11600)
Tel. (5982) 487 21 50, Fax: (5982) 487 32 42
Email: iin@redfacil.com.uy , Web Site: www.iin.oas.org


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1.   Introduction 

With the financial support of the State of Qatar, the Inter-American Children’s Institute produced a video on the Right to Education, entitled “I Want to Learn.” This video is part of a series intended to promote and publicize the children’s rights enshrined by the Convention. 

Ing. Julio Rosenblatt, Coordinator of the IIN’s Inter-American Child and Family Information Program, was responsible for the original idea of the video. 

“I Want to Learn” is an animated video, 1.22 minutes in duration, in Spanish (lyrics) and English (subtitles), with music performed by Mariana Ingold and Eddie Peñalvez. Walter Tournier directed production of the video.

2. Content 

a.    Some initial considerations 

Education is a basic children’s right recognized by the Convention on the Rights of the Child. However, in developing countries, 130 million school-age children (21% of the total number of school-age children in the world) do not have access to quality basic education.[1]  

In Latin America, access to primary schooling, even in rural areas, has increased. However, there are marked disparities in the quality of the education received by children according to factors such as socioeconomic background, sex, ethnicity and geographical origin. This impedes the ability of the region’s educational systems to retain children, and results in higher school repetition and dropout rates.[2] According to The State of the World's Children 2004, 13% of children in Latin America and the Caribbean do not reach the fifth grade of primary education.  

According to illiteracy data for the region, 15% of adults in Latin America and the Caribbean cannot read or write.[3] The concept of “illiteracy” has changed significantly in recent years. In 1958 UNESCO defined as illiterate an individual who was unable to read or write something simple. Twenty years later, it adopted the concept of a functional illiterate: a person who, even knowing how to read and write simple phrases, did not have the basic aptitudes to satisfy the demands of his or her daily needs nor to develop him or herself personally and professionally.[4] 

The right to education is a basic right of all children and thus equal opportunities must be ensured for all, in an environment that is safe and free of any form of discrimination. Article 28 of the Convention states that all children have the right to freely-available basic education, and that States must encourage the development of secondary education to make it available to all and take appropriate measures to promote regular attendance at schools and reduce dropout rates.  

Article 29 of the Convention specifically addresses the objectives and content of education, recognizing the need to prepare children for a responsible life in a free society, in a spirit of understanding, peace, tolerance, equality and solidarity. It also states that education should be directed to the development of children’s “personality, talents and mental and physical abilities to their fullest potential," and should instill in children a sense of respect for themselves, for their family, for their country, and for civilizations different from their own.  

Based on the concepts outlined above, we sought to create a video through which children could see and understand all of the benefits of education. This is no easy task; most children view going to school as something that adults impose on them. You have to go to school, you have to study before you can go outside to play: this is what they tend to be told. We must transform this “obligatory” concept of education into something positive for children; they must learn – in their own way and without impositions by adults – the advantages of going to school regularly. Play and recreation are tools that must be used in the learning process. Children must be able to enjoy activities that are aimed at the objectives of education. 

With this in mind, we tried to create a video that would promote the right to education as one of the fundamental components affecting children’s development and their future opportunities. The governing principle upon which we created the contents of the video was that of the best interests of the child. 

3.   Target Audience

“I Want to Learn” is aimed at all the children and adolescents in the region, seeking to generate a communication strategy that highlights the importance of children’s right to education. 

We seek to show children that this is a right they should exercise, so that they understand the importance of having access to education. As part of the strategy for reaching out to the Target Audience, we have used communicational and visual language that is familiar and engaging while also being didactic.

4.   Broadcasting 

We live in an increasingly media-oriented society in which the media (chiefly radio and television) reach everyone, even the most marginalized sectors of the population. The rational use of those tools is a good way to promote the rights of children and adolescents in the region. 

In order to reach its target audience, it is suggested that the video “I Want to Learn” be broadcast at times when children and adolescents are likely to be watching television. 

5.  Dissemination 

·         The video "I Want to Learn" will be shown by open-access and cable television channels in the different countries of the region.   

·         The video can be used by public and private schools in the different countries as an education tool conceptualizing the rights of the child.    

·        Workshops will be organized for people involved in child-related issues to discuss the topic addressed by the video.

6.      Lyrics: “I Want To Learn” 

WHERE ARE THEY GOING?

WHAT ARE THEY GOING TO DO?

WHAT IS IT? I DON’T KNOW

AND WHY? I WANT TO KNOW

WHAT ARE THEY TAKING, WHERE ARE THEY OFF TO?
WHEREVER THEY GO, I’M GOING TOO

I WANT TO BE ABLE TO GO FURTHER
WHEREVER THEY GO, I’M GOING TOO
I’M GOING TOO, I’M GOING TOO

NUMBERS AND LETTERS
THEY’LL SHOW YOU THE RIGHT WAY
THE RIGHT TO LEARN FROM EVERYTHING
AND GROW IN EQUALITY

NUMBERS AND LETTERS
TO LIVE IN DIGNITY
THE RIGHT TO KNOW EVERYTHING
AND TO BE TRULY FREE

7.  Information on the Inter-American Children's Institute 

The Inter-American Children’s Institute (IIN) is a specialized organization of the OAS founded in 1927 in Montevideo, Uruguay. 

At its 75th Meeting, held in Ottawa, the IIN’s Directing Council approved the Strategic Plan 2000-2004, which proposes to promote promotion of tools for the dissemination of the Convention on the Rights of the Child by means of communications strategies. 

To implement this, for the last two years the IIN has been promoting the development of short videos. of approximately one minute in duration, on issues related to the Convention on the Rights of the Child. These videos are being shown on open-access and cable television channels all over Latin America. 

The work of the Inter-American Children’s Institute revolves around three important programs:   

a.      Program for the Integral Promotion of the Rights of the Child 

The Program for the Integral Promotion of Children’s Rights (PRODER), based on the development of a Prototype of Targeted Public Child Policies, is engaged in promoting actions and intervention projects to address the problems and needs of children and adolescents in situations of vulnerability, risk and social exclusion. 

PRODER has developed its Prototype of Targeted Public Policies to address the problems mentioned in the Convention on the Rights of the Child, specifically Article 23 (Disability), Article 32 (Child Labor), Article 33 (Drug Abuse) and Article 34 (Sexual Exploitation). 

b.    Inter-American Child and Family Information Program (PIINFA) 

PIINFA’s main objective is the production and promotion of information systems aimed at persons and institutions working in the field of child and adolescent affairs, in order to create pools of comprehensive information that will help achieve change in the living conditions of children and adolescents in the Americas. 

PIINFA’s projects provide focused services to deal with the primary needs of institutions, decision-makers and planners working with children and families. The Program has also developed flexible tools for processing information, which generate data on the system itself, thus facilitating continuous evaluation, adaptations and change. All the projects are tailored to the specific needs of each country, avoiding the rigidity of solutions which would seek to provide a generic answer to wide-ranging, diverse realities. 

PIINFA’s activities are centered on: 

-           The Inter-American Child Information Network (RIIN)

-           The Information System for the Monitoring of Rights

-           The updating, professionalization and computerization of the civil registries of the region, to ensure that, among other rights, the right to identity is upheld and respected.    

c.     Legal Program 

The Legal Program (PROJUR) provides OAS Member States with services such as training, information, monitoring, research and specialized technical assistance to reinforce and support national child protection systems in the hemisphere.    

It also seeks to provide governing bodies on child affairs with key legal information, facilitate research, train persons responsible for institutional development and enforcement of rights, and provide technical assistance in the still-unfinished task of harmonizing national legislations with the principles of international law in the field. 

8.   Production: “I Want to Learn” 

Credits 

General Coordination       Julio Rosenblatt 

Direction                           Walter Tournier 

Animation                         Pablo Turcatti
                                         Juan Andrés Fontán 

Puppets                            Lala Severi 

Structures                         Martín Da Rossa 

Models                              Diego Vidal 

Music and Sound              Leonardo Croatto   

Singers                             Mariana Ingold
¨                                        Eddie Peñalvez
 

Editing                             Guillermo Casanova 

Lighting                           Diego Velazco
                                        Santiago Epstein

WALTER TOURNIER – Director

Uruguay (1944)
Educated in Uruguay and Peru
Animator, Director of Animation
 

FILMS:

1974           “EN LA SELVA HAY MUCHO POR HACER.” Animation, 35mm, 17 min. Uruguay.
1980
           “EL CÓNDOR Y EL ZORRO.” Animation, 35mm, 10 min. Peru.
1981
           “EL CLAVEL DESOBEDIENTE.” Marionettes and animation, 35mm, 10 min. Peru.
1983
           EN EL PAPEL UN SUEÑO.” Documentary, 16mm, 11 min. Peru.
1986
           “LOS CUENTOS DE DON VERÍDICO.” Marionettes and animation, video,  chapters,
                  7 min. each. Uruguay.
1988          
“OCTAVIO PODESTÁ.” Documentary, video, 21 min. Uruguay.
1990
           “LOS ESCONDITES DEL SOL.” Animation, 35mm, 40 min. Uruguay.
1992
           “LA RAMBLA MONTEVIDEANA.” Documentary, video, 30 min. Uruguay.
1992/99      
Animated commercials for several clients.
1997
           “LOS TATITOS.” Animation, videos, 7 one hour and thirty minutes chapters. Uruguay.
1998
           Director and marionette designer for the movie “EL SIGLO DEL VIENTO,”  directed by
                  Fernando Birri.
1999
           “EL JEFE Y EL CARPINTERO.” Animation 13 min. A chapter or the series: 
  
               “Cuentos Animados del Mundo.”
2000
           “Yo Quiero” (“I Wish”).  Public Service Announcement – Animation on the Rights of the
                  Child.
2000
           “NAVIDAD CARIBEÑA  – Special half-hour animation in co-production with S4C of
                  Wales and the Children's International Television Foundation. 
 

AWARDS: 

1978        Bilbao International Festival (Spain)
1979
        Jean Vigo Prize (France)
1980
        Peruvian Bishops’ Prize (Peru)
1981
        CETUC Prizes (Peru)
1983
        Prizes of the Association of Filmmakers of Peru
1980/84
  Two Prizes at the International Latin American Film Festival (Havana, Cuba)
1990
        SODRE Prize (Uruguay)
1990
        Latin American Video Prize (Rosario, Argentina)
1990
        Latin American Video Prize (Asunción, Paraguay)
1992
        Prizes at the International Children’s Film Festival (Uruguay)
1992
        Prize at the Latin American Film Festival (Caracas, Venezuela)   
1992
        Prize at the International Children’s Film Festival (Chicago, USA)
1992
        Short Film Prize (Oberhaussen, Germany)
1998
        UNESCO Prize, International Children's Film Festival (Uruguay)
1999
        Campana de Oro, a campaña mayor un minuto” (Uruguay)
2000
        Golden Prize for Advertising Film Production (FIAP – Argentina)
2000
        Best Short Film, Best Latin American Film, UNESCO Prize and Children's
               Jury Prize for "EL Jefe y el Carpintero,” at DIVERCINE, International Film
              
Festival for Children and Youth (Uruguay)
 

LEONARDO IVÁN CROATTO – Composer, Performer, Sound Engineer

Born in Montevideo in 1959. Completed his studies in music in Argentina and Italy, at the University of Bologna in the Music Department of the Faculty of Philosophy and Arts, receiving the degree of "Doctor of Arts, Music and Entertainment” in 1987. 

He has been teaching at the University School of Music since 1989 and at the School of Communications, where he teaches "Music and Sound in Film and Television" since 1997. He was a collaborator for the magazine "Musica/Realtà" in Milan, Italy between 1984 and 1987, and a music critic for the weekly publications "Alternativa" and "Brecha" in Montevideo between 1988 and 1992.

Staged music for theatrical plays: "Varela, el reformador," "Los Grillos,” "La secreta obscenidad de cada día,” "Veinte años no es nada,” "Ah Machos,” “Raúl aprende a bordar,” "Peer Gynt" (music nominated for the Florencio Award 1991), "Rompiendo Códigos" ( Florencio Award 1994), "Paquete de mentiras.”

Music for audiovisual productions: ”Bañados, el secreto de las aguas,” ”Pantanal,” "India muerta,” “La quimera de la costa” (documentaries by Hilary Sandison, prod.); "Imágenes,” 1990-1996; "Color de Tristecías" and "Dudosa Pasión” (short films by Pablo Rodriguez, Producciones del tomate, 1990-1991).; "Amigo invisible,” from the series of short films of animation "Madre Tierra”; "Imágenes,” 1991; "Tierra Olvidada,” "Arrinconados,” “El camino de la madera,” “Gente en obra” (documentaries by Mario Jacob); "Imágenes,” 1991-1992; “Héctor” (in co-authorship with Rubén Olivera, Directed by José Pedro Charlo, 2000). 

Other compositions: "Mina" and "L'immaginario erotico nell'arte,” background music for a fine arts exhibition in Bologna, Italy 1986-1987. Electro-acoustic works: "Digital number one for violin and tambourine" and "Digital number two for bandoneón shows,” Premiere at Núcleo Música Nueva, 1995-1996. "Entrelíneas,” for Marimba (1998), premiered in Buenos Aires by percussionist Ángel Frette. 

Active in the popular music scene, performing as a guitarist and singer with different groupings in various cities of Europe, United States and Latin America from 1980 to 1987. Recorded two records, in Puerto Rico (1984) and in Italy (1985), published in Italy (1984 and 1985) and Peru (1987). Musical and instrumental arrangements for Uruguayan recordings (Eduardo Darnauchans, Esteban Klisich, Mauricio Ubal, Washington Carrasco and Cristina Fernández, Antimurga BCG, Javier Cabrera and Julio Brum, Jorge Bonaldi, Laura Canoura, and Rubén Olivera). 

In 1992 Leonardo Croatto and Carlos da Silveira founded a company "Mambo/Sonus" to provide postproduction audio services for films and videos, as well as musical productions for advertisements. Since 1992 they have worked with large advertising agencies and firms in this medium.  

Other musical productions by Mambo/Sonus include: "Distracción Fatal,” fiction directed by Mayda Moubayed; “El jefe y el carpintero,” from the Series ANIMATED TALES OF THE WORLD, directed by Walter Tournier, co-production of RAL (Latin American Network) with S4C-Wales, England, and Discovery Kids, USA, 2000; “Yo Quiero”
(“I Wish”), Rights of the Child campaign, animation, directed by W. Tournier and produced by RAL with the support of the Inter-American Children's Institute, 2000; “Porto Alegre – Una experiencia de autogestión,” documentary directed by Hilary Sandison, Uruguay-England co-production, 2001; series of micro-programs in animation: “Los Tatitos,” Artear-Color 9 co-production, Montevideo-Buenos Aires, 2001.

 



[1] Report by the Child Rights Caucus. "A Child Rights Agenda for the Coming Decade." Prepared for the UN Special Session on Children. Draft, June 2, 2000.

[2] E. Schiefelbein,  J. C. Tedesco: “La educación preescolar y básica en América Latina y el Caribe.” UNICEF/TACRO.

[3] UNICEF: The State of the World’s Children 2004.

[4] Definition of the Paulo Montenegro Institute: http://www.ipm.org.br/ingles_an.php